Saxophone Orchestra Manchester

and the

Mainzer Saxophonorchester

Exchange Weekends

10th - 11th October 2026, Alderley Edge Festival Hall, UK

24th - 26th September 2027, Weiterbildungszentrum Ingelheim am Rhein, Germany

How will it work?

We will reserve a number of seats in the orchestra for the visiting German participants. They will fly to Manchester and spend the entire weekend with us. While here, they will be hosted by SOM members.


The main language of instruction during the SOM Weekend will remain English.

In return, the Saxophonorchester Mainz will reserve seats for SOM members at their Saxophone Orchestra Weekend in 2027 (Friday 24rd - Sunday 26th September 2027, Weiterbildungszentrum Ingelheim, Fridtjof-Nansen-Platz 3, 55218 Ingelhein am Rhein). SOM members will be able to apply for these reserved places. While in Germany, SOM participants will be hosted by members of the Saxophonorchester Mainz.

The only costs to SOM members will be:

  • flights to Frankfurt am Main (approx. 30 minutes from Ingelheim am Rhein, 25 minutes from Mainz) or other transportation to Germany

  • the cost of the Mainz Weekend itself (€60)*

  • food and drinks when in Germany (breakfast will be provided by your hosts)

The main language of instruction in Mainz will be German. Saira, who studied up to Masters level in Germany and previously worked with the Saxophonorchester Mainz, will provide translations where needed. It is hoped that Adam will also be able to attend the Mainz Weekend. Adam studied Germanistik (German Cultural and Historical Studies) at the Free University of Berlin and can speak fluent German.

This means that you don’t need to speak any German to participate on the return part of the exchange. 

*NB: this is a subsidised price.

Hosting in Manchester 

We need SOM members to volunteer to host the visiting Germans. We currently expect around 10 participants aged 40–65. No Germans under 18 will be allowed to come to the UK as part of the exchange. 

Hosts will be expected to provide:

  • a clean place to sleep,

  • breakfast,

  • and an evening meal (where appropriate).

The Germans will arrive on the Thursday/Friday before the SOM Weekend and depart on the Sunday/Monday.


If you are able to collect your guest from the airport shortly after they land, that would be very helpful. If you are not able to do this, you must arrange in advance where and when you will meet your guest. Hosts are also expected to bring their guests to and from the SOM Weekend. All of the German guests will also be attending the Friday night social meal, and it would be wonderful if their hosts could join us as well.

Manchester Host Selection and Reimbursement

Unfortunately, we are unable to offer financial reimbursement to hosts.
However, any member who hosts will be guaranteed a place on the October SOM Weekend

If you would like to host please fill in this form: https://forms.gle/if95f1TUR8bQTLLE9  We will try our utmost to pair hosts with a similar German; someone with whom they will get on! 

Do German participants mean fewer seats for us?

Yes. Seats will be reserved both for the German exchange participants and for their SOM hosts, so fewer places will be available than usual, around 20 fewer seats to be exact. This will affect some sections more than others.

If fewer Germans apply than expected, unused reserved seats will be released to the waiting list. 

Which saxophones will the Germans bring?

Most will bring a Soprano or an Alto Saxophone, as these are the easiest to take on a plane. Our guests will also be offered the use of the SOM Tenor and Baritone during the Weekend.

If I don’t host, can I still go to Germany?

Yes. Anyone who has previously attended a SOM Weekend, or is a member of SOMonthly or Training Band, may apply for the reserved seats at the Mainz Weekend—whether they hosted or not.

Applications will be handled by the Saxophonorchester Mainz. 

What are the Mainz Weekends like?

They are very similar to ours. In fact, the Manchester model was originally based on Mainz. The music at a Mainz Weekend is a little more on the traditional and classical side than SOM. 

If you’d like to know more, speak to Saira, who used to be on the staff in Mainz

Am I good enough to go to the Mainz Weekend?

If you can survive a SOM Weekend, you’ll be absolutely fine! 

Is there financial support available?

If you would love to go to Germany but can’t afford it, please speak to Saira in confidence. Please remember that we have pay it forward scheme available for SOMonthly members. 

If you attend the Mainz Weekend, you will be responsible for:

  • booking your flights/travel,

  • ensuring you have appropriate travel insurance,

  • having a valid passport, and

  • ensuring you have the right to enter the EU.

Once you arrive in Germany, your host will look after you for the duration of your stay.

We strongly recommend ensuring your instrument is insured for international travel (not just home insurance). We recommend Alliance and Lark for instrument insurance.

The Mainzer Saxophonorchester and their leader, Steph Winzen.

Taken from https://saxiom.de/ the website of Steph Winzen.

Translation by AI and checked over by a human. 

In 2013, Steph Winzen founded the Mainz Saxophone Orchestra, an ensemble made up exclusively of saxophonists. With compositions by Bach, Händel, Mendelssohn-Bartholdy, Grieg, Wirth, and several world premieres, the orchestra brings an extraordinary sound experience to the stage.

These workshops are aimed at all saxophonists who would like to help create a very special sound experience: an orchestra made up entirely of saxophones! Not only is it an impressive sight – it is also a remarkable musical experience.

The Mainz Saxophone Orchestra is an open project orchestra that has been meeting twice a year since 2013. Around 25 saxophonists aged 11 to 88 work together during the 2½-day rehearsal phases to prepare a demanding repertoire of arrangements and original compositions of classical music.

In addition to Johann Sebastian Bach, Edvard Grieg, and Felix Mendelssohn, Astor Piazzolla is also a composer frequently performed by the orchestra. Participation is open to all saxophonists who have a certain level of playing experience and can read music. Good rhythmic and intonation skills are an advantage. There is no age restriction. Scores are provided in advance for practice.

Since the founding of the orchestra, there have of course always been regular participants—“repeat offenders”—who have enjoyed taking part again and again. Our range of instruments spans from sopranino through soprano, alto, tenor, baritone, and bass saxophone, creating a beautiful, symphonic, and richly varied sound.

***

Steph Winzen made music from early childhood. Music was ever-present in her family environment: both of her parents are still active in a choir today, and her father played several musical instruments. In the village music society of her Bavarian hometown, Steph began playing the flugelhorn at the age of 10. But it would take another ten years before she discovered the saxophone. In the meantime, she completed school and a vocational qualification. She worked for ten years as a technical draftswoman before music—and especially the saxophone—gradually became the central focus of her life. During this period, Steph played in various dance bands, rock bands, and big bands, where she gained her first stage experience.

Her enthusiasm for music and fascination with the instrument ultimately led Steph, in 2004—much to the dismay and resistance of her family—to leave the security of her rural home and her drafting table behind, and to begin studying saxophone at the University of Mainz. “With the first note on the saxophone I found my inner voice. You can express every emotion with it—strength, pain, sorrow, and everything in between. I wanted to learn how to explore all the facets of the instrument,” she says about her choice of instrument.

Traditional brass band music and 1980s pop shaped her childhood. After discovering the music of George Gershwin, she found her way to jazz. It was only through her music studies that Steph was introduced to the world of classical music. She studied with the renowned saxophonists Linda Bangs-Urban and Wardy Hamburg at the Mainz School of Music. In 2009 she graduated with a diploma in music education, followed in 2011 by a diploma in orchestral performance.

Today she says: “The most important thing as a musician is to stay open, to try everything, and to give everything a chance. That’s how new possibilities and new inspiration arise.” Steph moves seemingly effortlessly between different genres and instruments of the saxophone family. She plays every size from bass down to sopranino saxophone. She also plays clarinet, flute, and sings.

Choosing a single genre is difficult for her. “Variety is always an enrichment,” is her motto—“whether culturally, socially, or at a buffet. In Mozart’s time there was no separation between ‘serious’ and ‘popular’ music. And when the saxophone was invented, jazz didn’t even exist yet,” she says. For her, the message of a piece of music is what matters most.

Today her repertoire includes all major saxophone concertos, such as those by Ibert, Glazunov, Villa-Lobos, and Larsson. She has a particular love for the music of Astor Piazzolla. “Music of extremes, yet accessible to everyone. Piazzolla’s music draws me in like a current.” She is also open to lesser-known composers and enjoys discovering and performing new works.

Steph has continued the chamber music activity she began during her studies. Among other things, she performs concerts with Fritz Walther, the outstanding pianist of the Frankfurt Radio Symphony Orchestra.

She has also remained faithful to jazz: she has played baritone saxophone in the saxophone quartet “Mainz 04” since 2004, and she has been a member of the Darmstadt Magicsound Bigband since 2005. With a saxophone duo she performs a wide repertoire ranging from Baroque to jazz to pop.

In 2016 Steph released a solo CD of contemporary music with the Mainz ARE label, and in the same year a live CD of her saxophone quartet featuring jazz, swing, and rock repertoire. Concerts and studio recordings have taken her to England, Greece, Spain, France, and Italy. She also still plays pop music on the side, performing with a DJ at exclusive events. In addition, Steph organises the Daniel Honsack memorial concerts in Biebrich and Naurod.

Another area of her work is performing with various symphony and symphonic wind orchestras, where she is frequently engaged as a soloist or as a coach for rehearsal periods. Teaching plays an important role in Steph Winzen’s work. Communicating her joy in music and her understanding of music as a language is a major concern for her: “I believe it is music that makes us human. It shows us all the highs and lows—not only figuratively. It teaches us attentiveness, perseverance, and so much more—things that play an immensely important role in everyday life and in living together.” Since 2010 she has held a teaching position for saxophone at the Peter Cornelius Conservatory of the City of Mainz, where in 2018 a classical saxophone degree programme was established with her as the principal instructor.

In 2013 Steph Winzen founded the Mainz Saxophone Orchestra, made up of advanced amateur saxophonists—many of whom are her students. She persuaded her former mentor Linda Bangs-Urban to help actively shape the orchestra. Twice a year, intensive rehearsal phases take place under her direction, open to all interested saxophonists.

In 2017 Steph Winzen was appointed City Musician of Mainz, and in 2019 she served as patron for Saxophone – Instrument of the Year in Rhineland-Palatinate.